The differences are even more pronounced when you look at the histogram in the Tone Curve. The examples I showed can be questioned I know, but I think the differences are reflected in the histogram differences between the two. It is not possible for a DNG file to have equal representation across different sensors because there are varying degrees of information captured and sensor quality. I also suspect that the standard you are looking at for DNG has to do with others using DNG and not necessarily for how LrC coverts RAW to DNG which I assume you did with your pictures.Īs to the differences, I think they are to be expected because of the differences in the sensors and the amount of information collected (see attached).
#Adobe adobe camera raw zip
I was not able to find the quote you referenced since I was not able to determine the first link (the zip file?). I'm taking a stab at this because I just started to explore the Profiles in LrC. Curiously, setting the D750 shot to "Camera Natural" looks quite similar to what the G81 delivers with Adobe Neutral (more what I would expect). Notice how the "golden" color of the wood (this is how it looks IRL) is still perfectly there when using Adobe Neutral on the G81, while the same Settings on the D750 give me a very magenta image. I was also sure that my G81 did not show this weird shift towards magenta, so I took a couple of test shots at home:Īll settings are the same (except for aperture/shutterspeed). This is not a WB issue either, as that remains unchanged. When using an Adobe Profile, all the Golden accents are lost and the whole shot looks terrible. I don't have a direct comparison between G81 and D750 but below I can show you the difference between "Camera Natural" (left) and "Adobe Neutral" profiles on the D750 shot (right) I noticed this when taking photos of the interiour of the Vienna State Opera, which always looked great in LR when shot with my G81, but for some reason, using the same profile ("Adobe Neutral") looked horrible on my D750. However, I have come to seriously doubt this, as I have found my Nikon D750 produces picutres that are leaning much more towards magenta than what, for example, my Panasonic G81 does.
In fact, Adobe says that: "The Adobe Standard DCPs give photographers a common, baseline interpretation of color that is consistent from camera to camera." ( first link) I have been using Adobe Standard / Adobe Neutral as my go to Camera Profile (DCP) for the last couple of years, as I was under the impression, that these profiles would offer consistent colors even between cameras of different make.
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